The tourist district stretches from San Marcos Church, in Zamora Street, to the Puente Romano (Roman Bridge). It is essentially a circular area, full of shops and businesses, especially in streets such as Zamora, Toro and R煤a Mayor. Art galleries, museums, exhibition halls, cinemas, theatres, auditoriums, places full of history and lots and lots of tourist sights abound here. You can find, for example, the Plaza Mayor (main square), the Casa de las Conchas, (House of Shells), the Clerec鉚a (also known as Esp鉚ritu Santo Church), the Catedral Vieja (old cathedral), the Catedral Nueva (new cathedral) and the university all in this small area. There are also numerous tapas bars, caf茅s, pubs and discos to be found, mainly along Gran V鉚a and Crespo Rasc貿n.
The more modern part of town, which is also starting to become the most central area, starts at Mirat Avenue and Aladedilla Park and carries on to the Vidal neighbourhood and Sant鉚sima Trinidad Hospital. This district is full of bars, shops, offices and art galleries, and also has the San Juan Market, libraries (such as Vidal and the municipal library), the Van Dyck Cinema, the Plaza de Toros de la Glorieta (bullring) and several health centres.
Pizarrales is more uptown, and is one of Salamanca's oldest quarters. Very nearby is the Pryca area, which is of recent construction and lies beside Barrio Blanco. You can get to Pizarrales from Italia Avenue, Portugal Avenue or the Ledesma Road. This once working-class neighbourhood has become more gentrified recently and is now quite popular among young newlyweds.
Barrio Garrido is the city's most densely populated district. It starts in the Federico Anaya area and ends in Cipreses Avenue. People tend to divide it into Garrido Norte and Garrido Sur (North and South Garrido, respectively). Many streets here are named after conquistadores as well as flowers. The end of Paseo de la Estaci貿n leads to a bridge that takes you to another modern quarter, Puente Ladrillo, where the streets are named after Borneo and New Zealand, for example.
The Campus Universitario area is exceedingly popular, and extends from the hospital to the cemetery, where the famous scholar, writer and philosopher Miguel de Unamuno is buried. Some of the buildings here boast amazing views of the river and of the city's tallest sights; the view from Paseo de San Vicente is particularly worth mentioning.
On the other side of the Tormes River lies a long stretch of land that includes several quarters (La Vega, San Jos茅, Chamber鉚, Tejares, Buenos Aires and El Zurgu茅n). You can reach these areas by crossing any one of the following bridges: Romano (which is pedestrianised), Enrique Estevan, Rodr鉚guez Fabr茅s, Campus and Pr鉚ncipe de Asturias. Some parts of this outer area are quite charming, as they have low, whitewashed houses rather than the more typical tall blocks of flats found in central areas. But no matter what part of Salamanca you visit, you'll find that Salamanca is a welcoming city with plenty to offer visitors. Come soak up the atmosphere and see what we mean.
History of SalamancaThe city's name is linked to Greek historians who called it Helmantik茅, Herm謾ndica and Salam謾ntica. Alfonso X (The Wise) was the first person to call it Salamanca. It originated as an Iberian military outpost on the hill of San Vicente, still to be seen today in the Verraco Prerromano. The inhabitants were known as the Vacceos, and the women were celebrated for their valour in the face of the Carthaginian general Hannibal in 220 BC.
Salamanca belonged to Lusitania. The Roman acropolis was built on a cliff above the Tormes River. Today, part of the city wall remains, as well as the Puente Romano (Roman Bridge), along which ran the Ruta de la Plata, a Roman road that linked M茅rida and Astorga.
Salamanca gave itself up to the Muslims in the year 712. The defensive city wall was strengthened, the Mozarab population being relegated outside of it. It was a time of constant fighting with the Astur-Leonese kingdoms. The city became a no-man's land.
In 1102, Alfonso VI gave his son-in-law, Count Ram貿n de Borgo帽a, and his wife Urraca de Castilla the task of repopulating Salamanca. Various groups arrived, and developed their communities around different churches. The Portuguese grouped within the churches of Santo Tom謾s Cantuariense, San Crist貿bal and Sancti Spiritus; the Torenses within Iglesia de San Juli謾n and San Mart鉚n; the Mozarabs in the church of Santiago; and the Castilians in those of San Juan Bautista de Barbalos and Santa Mar鉚a de los Caballeros. The parish ruled by the regents of Castile, San Marcos. Santa Mar鉚a de la Sede, later called Catedral Vieja (Old Cathedral), stood out above the others.
13th to 15th Centuries
In 1218 an important event changed the life of the city. This was Alfonso IX's creation of the Estudio General or university, which enjoyed a reputation throughout Europe because of the number of departments and the prestige of its teaching. As a result, four large colleges were built, such as the Colegio del Arzobispo Fonseca, and 28 smaller ones were also created.
Towards the end of the Middle Ages, the life of the city was overshadowed by fights between rival groups, ending tragically in the murder of the Monroy brothers at the hands of the Manzano brothers. The murder did not go unpunished, as the boys' mother, do帽a Mar鉚a la Brava, did not stop until she laid the heads of the murderers on the grave of her sons. San Juan de Sahag煤n imposed a truce in 1476. Remains of fortified towers from the end of the Middle Ages still stand, such as the Torre del Aire (Tower of the Air) and the Torre del Clavero (Tower of the Clove Trees).
16th to 18th Centuries
With the arrival of the Renaissance, the city enjoyed a period of splendour. The plateresque style is most clearly embodied in the fa莽ade of the University and in many palaces and mansions like the Palacio de Monterrey and the Casa de las Muertes. These are monuments built from Villamayor stone, giving Salamanca that famous golden hue which Unamuno immortalised with his words: "...plateresco rosal de oto帽o, con su encendida amarillez en la tarde del Renacimiento de la hojas..." ("plateresque autumnal rosebush, with its yellow light, illuminated in the evening Renaissance of the leaves).
The arts also had their Golden Age in Salamanca: Francisco de Vitoria, Nebrija with his first Gram謾tica (Grammar), Fray Luis de Le貿n, Fernando de Rojas and his world-famous work La Celestina set in the Huerto de Calixto y Melibea, Cervantes, and many other authors spent time in and immortalised Salamanca in their works.
After the reign of Felipe III, the 17th century saw a decline in the city. Students spent more time following a Bohemian and picaresque lifestyle than studying. Teaching became more conservative, the arts took refuge in the baroque, reaching maximum expression in Esp鉚ritu Santo Church, also known as the Clerec鉚a. By the end of the 18th century, splendour returned to the arts through the hands of Joaqu鉚n y Alberto de Churriguera and Garc鉚a de Qui帽ones. A good example is the magnificent Plaza Mayor (main square).
19th and 20th Centuries
The War of Independence (1808-1812), also referred to as the 'French connection', and ecclesiastical alienation had catastrophic consequences for Salamanca, as they brought down much of the city's cultural and artistic heritage. The University acquired a marked provincial character and might well have disappeared altogether had it not been for Miguel de Unamuno.
After the Civil War the city began a project of urbanisation, master-minded by V鉚ctor D'Ors.
Salamanca is currently being upgraded. In the year 2002 it will be European Cultural Capital. Today, as yesterday, thousands of students pass through its university lecture halls, bringing life to the city.
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